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But it’s the effortless balance of light and dark, of flippancy and searing vulnerability that distinguishes both these wonderful performances. There’s not the slightest trace of a condescending mannerism in Hader’s characterization of an unhappy gay man whose only refuge is his sardonic wit. (Watching the actor’s whole face sink as he repeats the words “Dyke night?” at a man-free local gay bar is priceless.) Milo uses humor as a natural defense mechanism, even if it doesn’t always mask the grimace of discomfort, while the more outwardly thorny Maggie subjects herself and everyone around her to wild mood swings. “Landmines, dude,” explains Lance, about the challenges of navigating his wife’s volatility.

Like the under-appreciated HBO series Enlightened, this film shows how good Wilson can be in the right role. He makes Lance so confident in his own skin, his masculinity, his marriage and his place in the world that he seems the perfect all-comprehending partner for a woman like Maggie, who comes with a lot of baggage. Which makes his hurt upon discovering her deceit all the more moving. Holbrook (doing a solid Australian accent) and the marvelous Gleason both nail amusing caricatures in limited screen time, while Burrell softens his self-deluding character with silent, humanizing acknowledgments of Rich's weakness.

Shot with the crisp simplicity that such a character-driven seriocomedy requires, the film is briskly paced, with a lovely scene-to-scene flow enhanced by Nathan Larson’s unintrusive score. The central characters may be largely defined by their melancholia and their messed-up histories, but the film is a crowd-pleasing balm.

Venue: Sundance Film Festival (Dramatic Competition)

Cast: Bill Hader, Kristen Wiig, Luke Wilson, Ty Burrell, Boyd Holbrook, Joanna Gleason, Kathleen Rose Perkins, Adriane Lenox

Production companies: Duplass Brothers, Venture Forth

Director: Craig Johnson

Screenwriters: Craig Johnson, Mark Heyman

Producers: Stephanie Langhoff, Jennifer Lee, Jacob Pechenik

Executive producers: Mark Duplass, Jay Duplass, Jared Ian Goldman

Director of photography: Reed Morano

Production designer: Ola Maslik

Music: Nathan Larson

Costume designer: Mikaela Wohl

Editor: Jennifer Lee

Sales: UTA/ICM

No rating, 92 minutes.